Which film was your gay awakening?

A movie can sometimes help us figure out who we are and what we want.

Which film was your gay awakening?

Did you have a gay awakening? Was there a moment when it suddenly all clicked into place and you realised that you were into dudes?

Often, a film can be the catalyst that helps you figure out who you are or what you're into.

It doesn't necessarily have to be a gay film or a queer character, but it's generally when you see some kind of representation on screen that resonates with you that you have that light-bulb moment that you're not alone in the world.

It's almost a sense of relief to realise that others feel what you feel, that others desire what you desire - that your people are out there, somewhere.

Let's take a look at some of the films that are probably responsible for a lot of gay awakenings.

Brokeback Mountain (2005)

Gay Cinema Classic: Brokeback Mountain
Ang Lee’s adaptation of the novella by Annie Proulx brought the heartbreaking story of Ennis and Jack to the big screen.

Call Me By Your Name (2018)

Gay Cinema Classic: Call Me By Your Name
Problematic, sure - but it’s an interesting exploration of an age-gap relationship.

From Beginning to End (2009)

Gay Cinema Classic: From Beginning to End
Do Começo ao Fim presents us with an unusual love story.

Hustler White (1996)

Gay Cinema Classic: Hustler White
The 1996 film from Bruce LaBruce and Rick Castro that put the hustlers of West Hollywood on the big screen.

Midnight Cowboy (1969)

Gay Cinema Classic: Midnight Cowboy
A buddy film driven by loneliness and the dream of something better.

Moonlight (2016)

Gay Cinema Classic: Moonlight
The film by Barry Jenkins won the Oscar for Best Picture.

Sequin in a Blue Room (2019)

Gay Cinema Classic: Sequin in a Blue Room
Exploring a young gay guy’s power and potential.

Stranger by the Lake (2013)

Gay Cinema Classic: Stranger by the Lake
A sexed-up thriller that’s definitely worth adding to your watch-list.

The Living End (1992)

Gay Cinema Classic: The Living End
Gregg Araki’s nihilistic road-trip captures the essence of queer identity in the early 90s.
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